You need to use quotes to support your argument. Scroll to the bottom of the assignment for specific criteria regarding submission and grading. Explain who is responsible for the deaths of Romeo and Juliet at the end of the play.
Best described as a separation-romance, it shows obvious analogies with the stories of Hero and Leander, Pyramus and Thisbe, Tristan and Isolde, and with later medieval works like Floris and Blanchefleur and Chaucer's Troilus and Criseyde.
The earlier history of the Romeo and Juliet story has been treated in detail by a number of critics,2 but since there is no persuasive evidence that Shakespeare knew the Italian or French versions at first hand,3 we may limit our discussion to the two English versions: Painter's translation of Boaistuau's version is close and generally accurate, but Brooke's much longer verse narrative, lines in poulter's measure,10 gives essentially everything in Boaistuau and hence in Painterand makes substantial additions and slighter alterations that considerably enhance the dramatic potentialities of the story.
In all of these additions, except the description of Romeo's sorrow in exile, Shakespeare found viable dramatic Romeo and juliet journal essay, which he put to memorable use in parts of 2. Brooke also sometimes converts narrative statement in Boaistuau into direct speech, expands speeches already present, or adds extra bits of short dialogue apart from the larger additions already noticedwhich give the poem more life and movement.
Finally, Brooke occasionally showed some flair for inventing new detail in description and character, particularly in his presentation of the Nurse, who under his hand emerges as the only character Shakespeare inherited from the source story that offered more than a romance stereotype.
Despite Brooke's virtues, however, the poem is pedestrian, long-winded, overdecorated with 'poetic' commonplaces, and written in a lumbering pseudo-high style.
The miracle is what Shakespeare was able to make from it. Shakespeare's treatment of Brooke's poem has been discussed many times. The story as it existed in Brooke and in Painter already offered both a public and a private dimension: But unlike Brooke, Shakespeare establishes this important underlying duality in the first scene, opening with the cautious sparring of the Capulet and Montague servants—a comic beginning that quickly turns serious as they are jointed first by Benvolio a Montaguethen by Tybalt a Capuletfollowed immediately by Officers of the Watch, Capulet and his wife, Montague and his wife, and finally by the Prince as the voice of authority.
The play, then, begins on a note of threat and public discord, resolved for the moment by an imposed and uneasy truce.
In contrast, Brooke, though mentioning the Capulet-Montague feud early in the poem and suggesting that it is still smouldering, only allows it to erupt in violence after Romeus and Juliet's marriagethus losing the immediate potential conflict which Shakespeare sets up between the public and private worlds of the play.
The formal, almost mechanical patterning of the first scene through line 94 13 is essentially repeated twice more, at the crisis 3.
This formality may be seen as Shakespeare's mode of distinguishing and distancing the public from the private voice, the characters here speaking less as individuals and more as spokesmen for the contending parties and the arbitration of law, a role from which the Prince never escapes.
With the exit of the Prince in 1. At this point the play moves onto a different level, one that sounds the note of personal emotion and establishes the emergence of individual character, catching us up into the smaller, more intimate and intense sphere of human relations.
These dual modes, the public and the private, interrelated but carefully distinguished, set up the larger dimensions of the play, in which the concerns of individual lives their love and hate, joy and grief will be played out against the muted but inescapable demands of convention and society—'Here's much to do with hate, but more with love' 1.
Other structural departures from Brooke's narrative are equally significant. Tybalt and Paris appear in Brooke only when events demand them. Tybalt is unheard of until he is needed as the ringleader of the Capulet faction in the street brawl, which breaks out some months after Romeus and Juliet have been secretly marriedand he no sooner appears than he is slain by Romeus.
Shakespeare, however, introduces Tybalt in the first scene in his self-appointed role as leader of the younger Capulets and then underscores this by showing him as a troublemaker at the Capulet feast 1. Shakespeare can thus draw on an already sharply defined character at the moment of crisis in 3.
In the same way, Shakespeare introduces Paris in 1.Thesis statement examples for romeo and juliet number 8 in for students A book that i might have led to millions of emails. From the very beginning of the play the audience is warned that Romeo and Juliet’s love will not end well.
There is much evidence in Act II that foreshadows the lover’s fate. Romeo and Juliet Journal Act 2; Romeo and Juliet Journal Act 2.
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Get free homework help on William Shakespeare's Romeo and Juliet: play summary, scene summary and analysis and original text, quotes, essays, character analysis, and filmography courtesy of CliffsNotes. In William Shakespeare's Romeo and Juliet, a long feud between the Montague and Capulet families disrupts the city of Verona and causes tragic results for Romeo and Juliet.
"Juliet in Romeo and Juliet. " In Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company, edited by Russell Jackson and Robert Smallwood, Romeo and Juliet study guide contains a biography of William Shakespeare, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis.
Romeo and Juliet Essay Shakespeare’s eminent play, Romeo and Juliet is a classic love story. Romeo Montague and Juliet Capulet are two young kids who fall in love. Their families have an on-going feud and cannot stand each other.